Category: violinmaking

  • The lower and upper ribs

    After cutting the corner blocks and upper and lower blocks, it is now time to bend the ribs. この投稿をInstagramで見る Kaccho’s Violin(@kacchovn)がシェアした投稿 Bending the ribs isn’t really a hard task, but fitting them to the corner blocks is difficult. The ribs, the corner blocks and the clamping blocks must fit perfectly each other. I must find…

    The lower and upper ribs
  • The C Bouts Trimmed and More Clamping Blocks

    The C Bouts were glued and the clamps were removed. To prepare for the upper and bottom ribs, the clamping blocks are needed. The book says hard wood was used for the blocks. Instead, my choice was to use home center white wood and cut it so the grain presses the corner block perpendicularly. View…

    The C Bouts Trimmed and More Clamping Blocks
  • C Bouts Ribs Glued

    This was a long way to reach to this point: the first glue to parts that form the body of the violin(the corner blocks were glued to the mould which will be detached later). This is exciting that the part of the violin is really built! Actually, I failed once when the animal glue condition…

    C Bouts Ribs Glued
  • Bending the C Ribs

    Although I practiced this with some wood from home center, it would have been a very thrilling and sensitive job for me since it uses heat which may burn the wood and too much pressure may break the rib. Indeed it was different. The wood from home center was lighter and softer thus bending was…

    Bending the C Ribs
  • The Rib Thickness

    After trimming the edges of the rim to make them into certain width, now the thickness. This was a lot of work. I never thought trimming just 0.8mm would be such a long distance! I used toothed blade plain first, sandpaper to remove the grooved surface, and scraper to finish. Next work will be bending…

    The Rib Thickness
  • The Rib Width

    Cutting the C bout corner blocks is done. Now moving on to the ribs. Cutting the edge of the ribs and plaining. I normally don’t really insist the quality of tools because I believe the final skill relies on the hands. Good tools may assist to have good result, but it’s more important to adapt…

    The Rib Width
  • This time is real, no more rehearsal

    I’ve been away from the violin making for a while. Now I’m happy I’m back! A luthier in Tokyo advised me to go ahead with the real tonewood instead of practicing with the similar wood from the home center. So I’m doing it this time. I’m also practicing the orchestra music. It takes time since…

    This time is real, no more rehearsal
  • Chisels and spare tonewoods

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    I wish I could get everything from one store so that would be easier and faster! But it’s impossible because no one is perfect. So I had to choose one from here and the other from there and so on… It took a while, but the researches for violin making tools is almost there to…

    Chisels and spare tonewoods
  • Masakichi Suzuki Biography

    I’m a fan of old Suzuki violins made in early 1900’s. When I started looking for my personal instrument, I assumed that old Japanese violins were good because the Japanese pianos made in 1950’s and 1960’s are really nice from my experience as a piano technician. My expectation was not quite accurate with the historical…

    Masakichi Suzuki Biography
  • Additional Planes

    Although my first block plane, Stanley 6-1/4 in BAILEY® Low Angle Block Plane, seemed to be OK, i wasn’t sure if I could flatten a wide plate with it. So I started to think a bench plane would be necessary. この投稿をInstagramで見る Kaccho’s Violin(@kacchovn)がシェアした投稿 Many violin making superiors says Stanley was the most popular back in…

    Additional Planes